Feb
22

StacksofRacks.com Celebrates Two Years of Providing Space Saving Racks and Organizers to America

1329930627 65 StacksofRacks.com Celebrates Two Years of Providing Space Saving
Racks and Organizers to America

LOUISVILLE, KY, Feb 22, 2012 (MARKETWIRE via COMTEX) –Stacks of Racks, a leading provider of affordable storage products,is celebrating a 2-year streak of success.

Founded by American veteran Terrie Little in 2010 with a vision toset the standard online for customer service, fast delivery, and lowprices, Stacks of Racks provides North American consumers witheverything from bicycle storage racks and wine storage racks, towooden spice racks and firewood racks.

Since the inception, the company has made many improvements,including the roll-out of an improved website which is easy tonavigate and where transactions are handled via a state of the artsecurity encryption.

“Whether you are looking for storage racks, plastic storage bins orcar roof racks, Stacks of Racks is the ultimate online resource forCommercial and Home Storage Solutions. We pride ourselves inproviding a hassle-free experience in shopping for storage products,all backed by our 30-day money-back guarantee,” says Terrie Little,founder of StacksofRacks.com.

Stacks of Racks is based in Kentucky. After five years in the U.S.Navy, Terrie Little founded Stacks of Racks with the vision toprovide affordable prices and superior customer service for allthings storage.

“Stacks of Racks was founded during a time of financial insecuritywhen it was said that building a company was doomed to fail. Hardwork, honesty and a genuine concern for the satisfaction of everysingle customer has allowed this business to keep growing whileothers decline,” says Terrie Little.

Stacks of Racks will donate a percentage of all sales to USACares.orgto provide military men and women with advocacy and financialassistance.

To find out more about Stacks of Racks, visit StacksofRacks.com

About Terrie Little Terrie Little grew up in Wisconsin and is adisabled veteran and the founder of stacksofracks.com. Terrie has adegree in Business from the University of Wisconsin and had a careerin UPS when 9-11 inspired him to join the military. After serving 5years, he was honorably discharged. He now lives in Kentucky with hiswife, the love of his life.

Media contact: Terrie Little Email Contact 502-994-1537

SOURCE: Stacks of Racks

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Copyright 2012 Marketwire, Inc., All rights reserved.

Feb
22

Bellevue University Study: As Nearly 1 in 3 Americans Struggle to Get By, More Eyeing Return to School

1329929418 97 Bellevue University Study: As Nearly 1 in 3 Americans Struggle to Get By, More Eyeing Return to School

BELLEVUE, Neb., Feb. 2, 2012 /PRNewswire via COMTEX/ –To get ahead, 60 percent of Americans are contemplating going back to school according to a recent consumer study conducted by Bellevue University

Nearly 1 in 3 Americans say they are struggling to make ends meet.

Less-educated people are struggling more than Americans who have college degrees – 41 percent of Americans without a college degree are having a hard time getting by.

In contrast, 30 percent of adults across the nation who hold a two-year degree say they are having a tough time paying bills, and 27 percent of Americans with a four-year degree are finding it hard to manage.

Americans age 25-54 are struggling the most, with 36 percent of people across the nation in this age group saying they are having a tough time getting by.

Education is on the minds of Americans – 60 percent of Americans have given some thought or a lot of thought to going back to school. People age 25-44 are the most serious about getting a degree, with 70 percent contemplating a higher education.

2 out of 3 people who don’t have a degree are considering going back to school, and more than half of people with a two-year or four-year degree are thinking about returning to college.

Single adults, who have never been married, are most likely to go back to school, with 73 percent of American singles contemplating a higher education. American adults who are divorced or separated are also giving education a lot of thought, with 64 percent thinking about making a commitment to college.

Bellevue University, an award-winning leader in educating adult learners, today released the results of a recent U.S. consumer study, which shows that, although nearly one in three (1 in 3) Americans are struggling to make ends meet, they are looking to get ahead through education.

The study revealed less-educated Americans are struggling more than those with college degrees. More than 40 percent of Americans without a college degree are having a hard time getting by. In contrast, 30 percent of adults across the nation who hold a two-year degree say they are having a tough time paying bills, and 27 percent of Americans with a four-year degree are finding it hard to manage.

“According to our research, Americans age 25-54 are struggling the most, with 36 percent of people across the nation in this age group saying they are having a tough time getting by,” said Dr. Mary B. Hawkins, president of Bellevue University. “Getting a college degree has never been more important than it is right now. In today’s world, a good job requires a good education. Over the next 10 years, nearly half of all new jobs will require a level of education beyond a high school degree.”

“The good news is 60 percent of Americans are considering going back to school. People age 25-44 are the most serious about getting a degree, with 70 percent contemplating a higher education,” she continued.

The study also revealed that 2 out of 3 people who don’t have a degree are considering going back to school, and more than half of people with a two-year or four-year degree are thinking about returning to college.

Single adults, who have never been married, are most likely to go back to school, with 73 percent of American singles contemplating a higher education. American adults who are divorced or separated are also giving education a lot of thought, with 64 percent thinking about making a commitment to college.

According to the Labor Department, four-year-college graduates make 54 percent more, on average, than people who attended college but did not graduate. “It has become clear that completing some form of higher education is the best insurance against poverty and unemployment,” said Dr. Hawkins. “While overall unemployment rates are hovering around 10 percent, only 4.5 percent of college graduates are unemployed.” Additionally, people with four-year college degrees earn more money. These realities help understand the reasons why less-educated Americans are struggling more than those who hold college degrees.”

The future of American prosperity relies on a better-educated workforce, according to the current White House Administration. With this in mind, Bellevue University also announced today a nationwide campaign – Make It Happen Now – designed to help achieve America’s ambitious national goal of once again having the world’s highest percentage of adults with a college degree by 2025.

“To help our people, and our nation, prosper, we’re launching Make it Happen Now, a campaign aimed at removing the barriers to getting a college degree so the country can once again benefit from the world’s most educated workforce,” said Dr. Hawkins.

To help achieve the national goal, Make It Happen Now aims to engage the Americans from the pool of 38 million who have some college credit and are thinking about returning to school. It will help them organize their personal goals, think through the steps they need to take to achieve their goals, and solidify their commitment to themselves and their future.

About the StudyThis survey was conducted by Bellevue University ( belleveu.edu ). For this research, 1,642 interviews were fielded among nationally representative Americans aged 18 and older, using an email invitation and an online survey. Quotas were set to ensure reliable and accurate representation of the total U.S. population ages 18 and older.

About Bellevue UniversityBellevue University is a recognized national leader in providing post-secondary education opportunities for working adults. A private, non-profit institution, Bellevue University serves students at learning sites in three states, as well as worldwide through its award-winning online learning platform. Bellevue University is accredited by The Higher Learning Commission of the North Central Association of Colleges and Schools. For more information, visit bellevue.edu .

About Make It Happen NowBellevue University’s nationwide campaign – Make It Happen Now – is designed to help achieve America’s ambitious national goal of once again having the world’s highest percentage of adults with a college degree by 2025. In a single generation, the United States has fallen from first place to 12th in global graduation rates for young adults. Make It Happen Now will accelerate efforts addressing the nation’s education deficit and facilitate personal commitments from people across that nation to help achieve the national objective of producing eight (8) million more college graduates over the next decade in order to compete globally and keep up with other countries that are developing high-tech, high-skill jobs.

To help working adults and business leaders understand the higher education crisis in America and take steps to combat it, Bellevue University has launched a new online destination website – makeithappennow.org – to provide helpful tips to motivate and support people who want to advance their education and live better lives, step-by-step strategies for overcoming personal challenges that get in the way of going back to school, and regular news updates. For more information, visit makeithappennow.org .

SOURCE Bellevue University

Copyright (C) 2012 PR Newswire. All rights reserved

Feb
22

In Focus: Why early action doesn’t apply to Northwestern

1329927017 11 In Focus: Why early action doesnt apply to Northwestern

For incoming Northwestern student Aric DiLalla, one of the 814 students admitted early decision to NU’s class of 2016, committing to NU was a daunting choice.

Before deciding to apply early, the Raleigh, N.C., native said he had to weigh the risk of graduating from college with significant debt against being able to attend his dream school. Because early decision programs require students to commit to their chosen school before applying, DiLalla said he was essentially agreeing to enroll at a university he was not sure he could afford.

“My (interest) in Northwestern kind of pushed me to accept the outcome. Whether that meant more loans or to accept more debt, I was willing to do that to end up at Northwestern,” DiLalla said. “That was a conversation I had with my parents and my advisers at school.”

With early admission programs, students apply to a college by November through either early decision or early action and receive an admission decision the next month. Early decision binds students to attend their chosen school if accepted, while early action students do not have to attend their school and have until May 1 to accept their offer of admission.

A common criticism against the binding early decision program is that it does not allow students to compare financial aid offers from other universities. Some of NU’s peer institutions, such as Harvard University and Princeton University, have identified this as an unfair disadvantage to low-income students and instead use non-binding early action programs. This allows students to receive an admissions decision in December but wait until May to accept the offer. The program also lets applicants consider all of their financial aid packages and has resulted in more racially and socioeconomically diverse applicant pools.

NU, however, has opted to stick with early decision.

Early decision: Advantaging the advantaged?

Harvard, Princeton and the University of Virginia all announced in 2006 that they would be axing their early admittance programs starting the following year to benefit disadvantaged minority and low-income students.

“Early admission programs tend to advantage the advantaged,” Harvard’s then-interim President Derek Bok wrote in a statement after Harvard made the decision to end its early action program. “Students from more sophisticated backgrounds and affluent high schools often apply early to increase their chances of admission, while minority students and students from rural areas, other countries and high schools with fewer resources miss out.”

Bok also mentioned the early decision program’s disadvantage of preventing students from comparing financial aid offers as reason for abolishing it.

In 2011, however, Harvard, Princeton and UVA all re-implemented early admittance programs.

Greg Roberts, UVA’s dean of admission, said the school switched to a nonrestrictive early action program because an extremely low number of high-need students applied to UVA under the early decision program in 2006, the final year it was offered.

“The last year with early decision, we had just over 200 students who were considered high-need from very low-income families, and only one applied early,” Roberts said.

That year, Roberts said, 947 students applied early decision to UVA, but only 20 of those applied for financial aid. He said this prompted the university to move to an early action program that would allow applicants a greater opportunity to compare aid packages.

Harvard and Princeton decided to re-establish early programs after determining they were losing potential students to other schools that still offered the option to apply early.

“Many highly talented students, including some of the best-prepared low-income and underrepresented minority students, were choosing programs with an early-action option, and therefore were missing out on the opportunity to consider Harvard,” Michael D. Smith, Harvard’s dean of the Faculty of Arts and Sciences, told Harvard Magazine last February.  

Under this year’s early action programs, Harvard, Princeton and UVA all received a vastly larger number of applications from lower-income and minority students than they had before doing away with their previous early programs.  

But NU administrators said the discrepancy of racial and socioeconomic diversity between its early and regular applicants is relatively small.

According to Carolyn Lindley, NU’s director of financial aid, the University provided need-based aid to 42 percent of those current freshmen who applied early decision, compared to 46 percent of this year’s freshman class overall.

The small difference has played a role in NU’s choice to stick with early decision, said Mike Mills, NU’s associate provost for enrollment.

When Harvard, Princeton and UVA did away with their early admittance programs, NU reviewed the composition of its early and regular applicant pools to determine whether the two groups significantly differed in socioeconomic status. Mills said no significant discrepancy was found, so NU kept its early decision option.

“We’re a little different; our early decision pool is not as different in income bands as our regular decision pool,” Mills said. “We don’t have any evidence that our early decision process disadvantages low-income kids, which is different than a lot of East Coast schools.”

Not the ‘Big Four’

In an interview with The Daily on Tuesday, NU President Morton Schapiro said he sees binding early decision as the most fitting program for NU. Schapiro said the percentage of accepted students who attend overall is relatively high but not high enough to implement non-binding early action programs similar to those at Harvard, Princeton, Yale and Stanford, the schools he dubbed “the Big Four.”

“The yield off of early action (for the Big Four) is so high that it’s effectively early decision … You’re not going to turn them down if you get in,” Schapiro said. “So for us, we’re selective enough that we can ask people to agree to come if we admit you, but we’re not the Big Four where you could have, effectively, early decision and call it early action.”

Shortly after Harvard, Princeton and UVA announced in 2006 they would drop their early admittance programs, former NU Provost Lawrence B. Dumas issued a statement addressing questions about whether NU was likely to abandon early decision. He stated there is little difference between NU’s early and regular decision pools, a contrast from peer institutions on the East Coast.

“In fact, our two applicant pools — regular and early — have more similarities than dissimilarities in key areas, including racial and ethnic composition, parental income, lower income populations eligible for Pell Grants, the composition of financial aid packages and the percentage of students qualifying for them, (and) the type of high schools applicants attend,” Dumas wrote.

In the letter, Dumas also acknowledged NU fills a smaller percentage of its classes with early applicants than do institutions such as Harvard, which he said filled 50 percent of its class of 2010 with early action students.

This, Dumas said, contributed to these schools’ concerns over the composition of their early applicant pool and the issue of promoting diversity within it. But NU is in a different situation — it does not rely so heavily on early admission to fill its incoming classes.

Schapiro said although the percentage of classes NU fills with early decision applicants has risen from 25 percent for the class of 2010 to 40 percent for the class of 2016, he does not want to further increase admittance levels.

“I wouldn’t push it much more than that,” he said. “There are schools that have been over 50 percent early. I think that’s not early any more; that’s regular and the rest is late. That’s semantics if you think about it. I don’t want to be one of those schools.”

Getting out of the bind

For this year’s applicants, Harvard and Princeton implemented single-choice early action programs, which allow their students to apply only to other non-binding early or rolling admissions programs at public or international institutions.

Despite the perception that early decision traps students into attending a school they may not be able to afford, early decision applicants have a right to opt out of their contract. According to Mills, NU has a penalty-free policy for students accepted early who receive a financial aid package that is not generous enough to feasibly pay for school. Mills said students in this situation will be freed from their binding agreement without needing to pay additional fees or incurring other penalties.

“I wish more families and students knew that that was their right,” Mills said. “The most frequent criticism you hear about early decision is precisely that students are unable to weigh competing offers and have to go (where they applied early), but that’s absolutely not true.”

Mills said this right is explicitly outlined in the bylaws of the National Association for College Admission Counseling, an organization that helps guide students into post-secondary education. In order to make this more widely known among prospective students, the University emailed a link to the bylaws to them and their parents.

Despite the email, incoming freshman DiLalla said he was not aware of this policy before he decided to apply early decision, adding he wishes he had been.

“My parents probably would have liked to know,” he said. “It was a challenging decision to decide to apply to Northwestern early.”

Very few applicants actually forgo their acceptance for financial reasons. Mills said of those accepted early decision for the Class of 2015, only 10 of about 700 students had to opt out of their contract.

But is the agreement really binding if students can opt out of it without penalty? Though all early decision applicants are required to sign an agreement, as well as obtain the signature of a parent or guardian and high school official, Mills said the agreement is not set in stone until the students pay their tuition and attend in the fall.

However, opting out of the early decision agreement for any reason means relinquishing one’s admission to NU altogether, according to Dean of Undergraduate Admissions Christopher Watson. He said this policy forces students and families to heavily consider their decision before making a final call.

“For the students who want to be released for financial aid reasons, (the Office of Undergraduate) Financial Aid has talked to the family prior to that,” Watson said. “They wouldn’t just (opt out) without a good conversation about what it all means.”

But for those whose financial aid packages will not suffice, no changes can be made to the offer unless there was a mistake filling out paperwork or demonstrated need has increased, Watson said.

“You can’t negotiate need offers here,” he said. “If they had some new information they wanted to provide, the financial aid office would obviously look at it, but they wouldn’t increase the offer, for early or regular (decision), just to entice the student to enroll. It is 100 percent need-based and that would be turning it into a merit program.”

The push for more aid

Both Watson and Mills said the early decision program has worked well for NU and is likely to stick around for a while. But one aspect the University is hoping to improve is financial aid, as tuition continues to increase and current NU students are already feeling the financial pressure.

Mills said next year NU will request an additional $14 million to allocate toward financial aid for students with need.

“These are huge jumps, but they have to be because times are tough,” Mills said. “We have to have (large) aid budgets to support these families. It’s (one of) the number-one funding priorities for the administration.”

Medill junior Hilary Sharp, who applied to NU early decision, said the fact that she didn’t qualify for financial aid is something that puts a bit of a strain on her family.

“I did not qualify which is really unfortunate, because no one can afford this, period,” she said. “It’s still pretty rough. My parents remind me every day of how much they’re paying for this school.”

Though NU’s admissions policy is need-blind and its financial aid policy is 100 percent need-based, its financial aid offers are not as expansive as those of schools such as Harvard, which expects no parental financial contributions for students whose families earn less than $65,000 per year and has no salary cap when it comes to offering need-based scholarships.

However, Schapiro emphasized strengthening financial aid as one of the University’s top priorities.

“The classic argument against early decision is you can’t shop the financial aid package — you’re buying the car before you know the price,” he said. “But the reality is, as long as we keep putting money into need-based aid, they’re getting an offer that is competitive with what they would have gotten (elsewhere).”

Both Watson and Schapiro maintain that early decision is the most efficient way to ensure that NU has students on campus who were set on becoming a Wildcat from the beginning of the application process.

“At the end of the day, it’s nice to have a cohort of students on campus for whom Northwestern was their favorite and their first choice,” Watson said. “You don’t necessarily get that guarantee with an early action program.”

NU was the first choice for Kunwoo Lee, an early decision admit who will enroll in Weinberg in the fall. Despite having applied for financial aid, Lee said money was not the deciding factor in considering his decision.

“Northwestern was my target school (since) sixth grade,” the Cresskill, N.J. native said. “My parents told me, ‘Don’t worry about the money; you’ll figure that out later. Just apply.’”

Feb
22

NPR journalist Williams to speak at Indiana State » Local & Bistate » News From Terre Haute, Indiana

1329925820 82 NPR journalist Williams to speak at Indiana State »
  Local & Bistate »
  News From Terre Haute, Indiana

TERRE HAUTE — National Public Radio journalist Michele Norris is scheduled to take the stage Wednesday in Indiana State University’s Tilson Auditorium in conjunction with the University Speakers Series. Her presentation is being co-sponsored by the African-American Alumni Council and WFIU. As co-host of NPR’s longest-running national program, “All Things Considered,” Norris has presented the news and weighed in on American culture including race and the influence of new media since joining NPR in 2002. Before her tenure at NPR, she was an ABC News correspondent and covered education, America's inner cities, the national drug problem, poverty and the aftermath of 9/11. Norris has stepped away from her “All Things Considered” duties until after the 2012 presidential campaign, although she continues to report and produce projects for NPR. Norris has received journalism honors including the Peabody Award, duPont Award and Journalist of the Year by the National Association of Black Journalists. She was recently named one of Essence magazine’s 25 most influential black Americans. In 2010, Norris published her first book, “The Grace of Silence: A Memoir.”  The book focuses on how America talks about race in the wake of the Obama presidency, and how her own legacy has shaped her work. A  book signing and reception will follow her presentation, which will begin at 7 p.m. The program is free and open to the public. More information about the 2011-12 University Speakers Series can be found at indstate.edu/ speaker or by calling (812) 237-3783.

Feb
22

Black Arts Festival Aims To Inspire

1329924617 17 Black Arts Festival Aims To Inspire

This year, the Kuumba Singers of Harvard College brought the 14th Annual Walter J. Leonard Black Arts Festival into the greater community with their theme “Living for More Than Just Me.” With funk and compassion, black artists at Harvard put the focus on minority youth in the Boston community, and a large portion of the proceeds from the event were donated to sustaining arts programs for Boston youth. “We’ve seen the impact that [art] has had on our lives, and we know that it can be a positive outlet,” said Amarachi I. Erondu ’15, the financial chair of Kuumba’s Black Arts Festival board. This year, the festival provided a space for young black artists to perform and share their talent.

“In this music that you’re creating, there is no limitation, and you can do whatever you want to do,” said Ikenna Acholonu, a mentor to youth in the Boston area, during the panel discussion at the festival, which ran from Thursday to Saturday. Acholonu reminded students that sometimes society limits the potential of students of color. “You have a lot of stuff stacked against you regardless if you try hard,” he said. He was one of four people who were asked by the Black Arts Festival board to speak about the importance of arts education for minority students. The others were Anyenda Inyagwa, a graduate of Tufts University who now works in various youth programs in Boston; Farai Williams, the artistic director of Project HIP-HOP; and Noni D. Carter ’13, a junior at Harvard whose book “Good Fortune” was published two years ago.

Over three days there were five events, all focused on the same theme. The festival kicked off on Thursday with “Sing it, Sister,” a free event at the Queen’s Head Pub featuring black female vocalists, and ended with a performance on Saturday at the Cabot House Underground Theater featuring black youth from BlackCAST’s Teen Empowerment program, performances from Harvard students from Speak Out Loud, and other monologues by minority students at Harvard. All of the events had a common theme: The arts are an important outlet through which minority students can express themselves freely. “The arts are carriers of cultural memory, and we need to be a part of creating what that is,” Farai Williams said in the panel discussion.

The other speakers present certainly had similar missions in mind. Carter spoke about the impact her book has had on African American students, both in her hometown in Georgia and in Boston public schools, where she has been asked to speak many times. She said that there is a lack of black mentors in our history textbooks, and that part of her mission in educating students through her book was to share her great-great-great grandmother’s slave journey with those around her whom she found to be ashamed of their African American slave history.

The main act was a benefit showcase on Friday at the Roxbury Community College Mainstage Theater. “We’re hoping to fill 500 seats,” said Ada D. Lin ’14, another member of the festival’s board. Lin is from the Boston area, and she benefitted from arts programs in the Boston public schools growing up. These programs lack funding, Lin said, a problem that the showcase aimed to remedy. Kuumba donated most of the proceeds to the Tobin Community Center in Roxbury, an organization that provides after-school arts programs for Boston youth. “The more people you have to look up to, the brighter your future will be,” Lin said.

As such, this year’s Black Arts Festival sought to provide new mentors for Black youth. On Friday, a group from Kuumba ran a workshop for 50 eighth-grade students to talk about Black music and Black History Month in a Roxbury public school. Harvard students shared their experiences and offered themselves as examples of how to express oneself through art. “Growing up I never had black mentors,” Acholonu said. “The first black mentors I received were in college.”

The Black Arts Festival hopes to establish a pattern of giving back to the community. “It’s our responsibility to continue inspiring and uplifting,” Carter said. By collaborating with other black organizations on campus, the Black Arts Festival highlighted the necessity of role models for youth and the importance of keeping art in public schools. Kuumba hopes to continue this mission by providing Boston youth with a continued outlet for expression and will keep this mission in mind when brainstorming themes for next year’s Black Arts Festival.

—Staff writer Virginia R. Marshall can be reached at .

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Feb
22

How influential are national college rankings?

1329923408 47 How influential are national college rankings?

A senior administrator at Claremont McKenna College, a distinguished liberal arts school in California, resigned on Jan. 30 after he admitted to submitting false SAT score data to U.S. News & World Report for the past six years, the New York Times reported. The college was ranked No. 9 on the Best Liberal Arts College list.

“Being in the top 50 liberal arts colleges is certainly important,” said Nanci Tessier, vice president for enrollment management at the University of Richmond. “Is the difference between being No. 33 and No. 32 significant?” Tessier said. “No.”

Tessier said she did not think false reporting of SAT scores was a widespread problem.

During the past four years, Richmond has moved from No. 33 to No. 27 on U.S. News & World Report’s list of Best National Liberal Arts College Rankings. But Tessier said that she had not felt pressure to achieve a particular ranking on the list.

Tessier said she had not thought Richmond’s improved rank had caused the record-breaking number of applicants for the class of 2016.

“We’re not driven by the rankings at Richmond,” Tessier said. “If hiring new faculty helps us in the ratings, it’s a benefit, but we’re not investing in more faculty to improve our rankings. “We construct a program here that we believe is in the best interest of our students.”

While Tessier explained that Richmond was not driven by ratings, she noted that the ratings may still be influential on the academic reputation of the school.

The U.S. News & World Report’s ranking methodology considers undergraduate academic reputation as 20 percent of its evaluation of a school, according to its website.

To measure the reputation, presidents, provosts and deans of admissions rated the academic programs of other schools on a scale of one to five, according to the website.

Tessier said the data-gathering process made it difficult to determine whether the opinions of presidents, provosts and deans were influenced by personal knowledge about the school or past rankings from newsmagazines. If their opinions are derived from past rankings of the school rather than knowledge about the school, ratings would be playing a big role in the U.S. News and World Report methodology, however, it is difficult to determine, she said.

Clay Palmer said he thought rankings played an important role in his assessment of a school when he chose to transfer to Richmond for his sophomore year.

“You want to have pride in name of your school, UR has that, it has a strong reputation,” Palmer said.

Tessier said she understood that people may use college rankings in their initial research to get a sense of institutions but she did not think rankings were the determining factor when students make their final decision. Tessier added she thought personal fit was more important.

When giving tours for the Richmond admissions office, Mike Zebrowski said that many prospective students and their parents were aware that the Robins School of Business was ranked No. #12 on Bloomberg Businessweek Best Undergraduate Business Schools 2011.

“The number only says so much,” Zebrowski said. “They want to know more.”

Zebrowski said families on his tours were more interested to learn that the availability of his professors in the business school was his favorite part about the school, not the ranking.

“I’m not a data-machine” Zebrowski said.

The Art & Science Group, an institution for marketing intelligence in higher education, found that only 18 percent of students and 32 percent of parents said newsmagazine rankings had a significant impact on their decision about where to apply and enroll.

Regardless, Richard A. Hesel, publisher of the survey, said “many institutions continue to behave as if US News has their fate in its hands.”

Tessier said, “The study is reassuring because what it says to me is that students and parents understand the complexity of the process and they use rankings as one piece of it but it is far from the top of the list as sources for information and making decisions.”

Tessier said her one criticism for any kind of ranking on best colleges was that the list never addresses, “the best college… for whom?”

“We recognize that rankings are one piece in the puzzle,” Tessier said. However, to explain the record-breaking number of applications at Richmond, she said, “Admissions has been doing outstanding research in terms of identifying students that are the best fit for Richmond and communicating effectively with them.”

Contact staff writer Madeline Small at .

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Feb
22

Lorton’s Laurel Hill Ranked Among Nation’s Top Ten Municipal Golf Courses

1329921017 87 Lortons Laurel Hill Ranked Among Nation’s Top Ten Municipal Golf Courses

Golfers who play at Laurel Hill Golf Club in Lorton already consider the course, designed by architect Bill Love and owned by the Fairfax County Park Authority, to be among the best for value and golf experience in the region.

However, local opinion is now confirmed by a recent Links magazine rating, which ranks Laurel Hill as #7 in the top ten municipal courses nationwide.

Laurel Hill Golf Club, an 18-hole course located on property that once housed the D.C. Department of Corrections facility at Lorton, will host the 2013 U.S. Amateur Public Links Championship. This is yet another accolade to the long list of recent accomplishments and recognitions, which include selection as one of the Top 10 Best New Courses in America by Golf Digest magazine, as well as ranking within the Top 10 Virginia Public Access Courses in 2008 and 2011, according to Golf Week magazine.

Addition kudos 

Laurel Hill was also selected as a USGA Women’s Amateur Public Links Qualifier site on 2008 and 2010; USGA Amateur Public Links Qualifier site in 2009, 2010, 2011 and again this year as well as a VSGA Public Links Championship site for three consecutive years in 2008, 2009 and 2010.

This course has also joined the notables in the world of golf with a prestigious ranking at number 13 of Golfweek’s 2011 roster of the Nation’s 50 Best Municipal Courses, announced annually in the magazine’s May edition.

This latest honor from Links places Laurel Hill in very good company with the likes of Chambers Bay in University Place, Washington, Bethpage State Park in Farmingdale, NY and Torrey Pines in La Jolla, CA.

Unique approach 

Laurel Hill Golf Club is unique in its approach to municipal course excellence with a robust membership program as well as a strong commitment to environmental stewardship and the preservation of natural and cultural resources onsite.

Laurel Hill was designated an Audubon Cooperative Sanctuary in 2009.  This certification recognizes environmental quality in environmental planning, wildlife and habitat management, chemical use reduction and water conservation and water quality management.

Feb
22

Autostraddle Live!: Come See Me Talk About Sex at Yale For Sex Week

1329918611 18 Autostraddle Live!: Come See Me Talk About Sex at Yale For Sex Week

My senior year of high school when I learned the uniform requirement had been lifted for Halloween and needed to throw together a quickie costume (read: find a way to wear a hoodie and call it “a costume”), I strapped on some khakis, slipped on some boat shoes and fake glasses and donned the Yale Hoodie my then-boyfriend had brought me from his campus visit and said I was going as a “smart person.”

In the twelve years since that Halloween, I have clearly evolved into a genuinely smart person and therefore will be addressing a room of other smart people this Sunday, February 5th at 6:00 PM. I will probably not be wearing a hoodie. You should be there, it’s only a hop/skip/jump away from New York City.

If you had plans to watch the Super Bowl, you should probably change your plans.

“Writing Sex”: A Panel on Sex-Positive Writing @ SexWeek 2012

Date and Time: Sunday, February 5, at 6:00 PM

Student Co-sponsors: Sappho (queer women’s social group and blog), Q Magazine (Yale’s LGBTQ magazine)

Speakers: Riese Bernard, Lena Chen, Miriam Zoila Perez

Event Description: Let’s be honest, talking about sex can be really difficult. Talking about sex in an inclusive, sensitive, and informative way is even more difficult. This panel, made up of prominent feminist and queer writers who tackle the world of sex with their words on a daily basis, will provide a space in which to explore the question of sex-positive advocacy through writing, a highly relevant issue for many students on this campus. Panelists will offer their own experiences of the challenges and successes of writing about sex, and then enter into a discussion of relevant questions: what is sex-positive writing? How can we write in sex-positive ways? And, perhaps most importantly, how can writing about sex be a form of activism in and of itself? The panel will be moderated by a writer from Q Magazine.

As you may remember from when Yale Alum Brittani (aka an actual real life Smart Person, not just one who dresses up like a smart person for Halloween) wrote about it, Yale cancelled Sex Week this year. This decision seemed primarily inspired by a Title IX lawsuit filed against Yale last year which cited Yale as a sexually hostile environment for women which prevents women from participating in campus life as fully as men. Canceling Sex Week was a really bizarre way to address this, as Brittani pointed out in her piece. One consistent complaint about Sex Week was that it had become too porn-focused.

But Sex Week‘s passionate believers seduced the administration back into their harem via a revamped, revised and very-well-written Sex Week 2012 Proposal. They promised to focus less on porn and more on queer and female sexuality and, most importantly, planned to put on the program without corporate sponsorship. A group called Undergraduates for a Better Yale are still against Sex Week and will be hosting an alternative event called True Love Week which “will feature fun events, great speakers, engaging student panels, and abundant opportunities to meet and interact with other Yalies and grow in fulfilling friendships.”

My fellow panelists will be Feministing Editor Miriam Zoila Perez and my cyber-acquaintance ”reluctant sexpert,” feminist and queer advocate Lena Chen.

Here’s what we’re all about:

Lena Chen is a Boston-based writer and the author of the blog Sex and the Ivy, which she wrote as an undergraduate at Harvard, which she graduated from in 2010. She has contributed personal essays and reportage on sex and gender to a variety of online and print publications, including The American Prospect, The Boston Globe Magazine, The Sydney Morning Herald, Glamour, and Salon. She produces Sex Really with Lena Chen for Bedsider.org, a project of The National Campaign To Prevent Teen & Unplanned Pregnancy, and hosts Sexy Times, a web series about health, sex, and relationships debuting in January 2012 on gURL.com, Alloy Digital’s award-winning alternative web portal for adolescent girls. She organized the Rethinking Virginity Conference, is the co-founder of Feminist Pride Day (formerly Feminist Coming Out Day) and the Feminist Portrait Project, which have since become incorporated into the Feminist Majority Foundation’s national campus programming. Lena has served on the Leadership Council for Bitch Magazine, been recognized as a young feminist leader by More Magazine, and named a Progressive Women’s Voices fellow at the Women’s Media Center. Her current blog, The Chicktionary, is a chronicle of her daily life and likes, as well as all things feminist, queer, or otherwise radical.

Miriam Zoila Pérez has been working in the reproductive justice movement for over seven years, both online and off, including more than five years working with the National Latina Institute for Reproductive Health (NLIRH). She works as a consultant for NLIRH and other social justice non-profits, focusing on online communications. She is the founder of Radical Doula, a blog that covers the intersections of birth activism and social justice from a doula’s perspective. You might also know her from her work at Feministing.com, where she is an Editor. Her writing has appeared in Bitch Magazine, The Nation, RH Reality Check, Alternet, The American Prospect and she is a frequent contributor to Colorlines. Pérez’s work has appeared in a number of anthologies, including Click, Yes Means Yes and Persistence. She was chosen as a 2010 Lambda Literary Foundation Emerging LGBT Voice in Non-Fiction.

Riese Bernard is the founder, editor-in-chief and CEO of Autostraddle.com, the world’s most popular independently-owned lesbian website. She’s an award-winning writer, blogger, fictionist, copywriter, video-maker and aspiring cyber-performance artist who grew up in Michigan, got wise in New York City, and now lives in the San Francisco area. Her work has appeared in ten books, magazines including Marie Claire, GO, Curve, $pread, Interlude, Listen, NeXt, The Sarah Lawrence Review and College Bound Teen; and all over the web including Nerve.com, Jezebel, OurChart, Emily Books, The L Word Online and Suspect Thoughts. She has produced videos for Autostraddle, Broadway World and Wingspan Pictures and starred in Showtime’s record-breaking Lezberado webseries. Her personal blog, This Girl Called Automatic Win, is a thing and won a lot of awards. A graduate of Interlochen Arts Academy, The University of Michigan and The Olive Garden’s week-long training intensive; she enjoys eating foods, having big ideas, reading books & talking to her stuffed dog, Tinkerbell.

This is the description of Sex Week:

Sex Week 2012 (SWAY) seeks to cultivate a forum for engaging and meaningful discussions about sexuality, intimacy, and relationships. Our goal is to provide students with events and resources that increase self-awareness and understanding of sexual topics. We hope to promote students’ agency in making educated decisions and to foster a sexual environment that is respectful, well-informed, and intellectually engaged.

We recognize that this is not a goal that can be achieved in one week. This conversation is and should be ongoing because sex and sexuality are contextualized within the dynamics of our personal and social lives. However, Sex Week 2012 is an opportunity to shed new light on this conversation and share a common space for the multiplicity of discourses that engage the wide diversity of our student body.

Sexual culture is not homogeneous. We differ not only in the way we understand sexual culture, but also in the way we negotiate our place inside of it. Conversations about sexuality matter to us because they implicate ideas about what we should and should not do with our bodies; ideas that affect not only our physical, emotional, and mental well-being, but also the social environment around us.

Feb
22

The Tea Party’s war on mass transit

1329917420 80 The Tea Party’s war on mass transit

In the week since House Republicans introduced their proposed transportation bill, one thing has become clear: It has virtually nothing to do with fiscal responsibility.

The Tea Party soared to power on the notion that it was the antidote to wasteful government spending. It’s now clear that reigniting the culture wars was a top priority, too. From guns to abortion, the extremist wing of the Republican Party has fought to turn back the clock on many socially progressive ideals.

Mass transit is its newest target.

“Federal transportation and infrastructure policy has traditionally been an area of strong bipartisan agreement,” says Aaron Naparstek, a Loeb Fellow at Harvard University’s Graduate School of Design and founder of Streetsblog.org. “Now, it seems, Republicans want to turn cities into a part of the culture wars. Now it’s abortion, gay marriage and subways.”

House Republicans seek to eliminate the Mass Transit Account from the federal Highway Trust Fund. The Mass Transit Account is where public transportation programs get their steady source of funding. Without it, transit would be devastated, and urban life as we know it could become untenable.

And there’s the rub. “The Tea Party leaders and the Republicans who pander to them do not care about cost-effectiveness in the slightest,” wrote blogger Alon Levy in a comment about the bill on the Transport Politic. “They dislike transit for purely cultural and ideological reasons.” To the Tea Party, transit smacks of the public sector, social engineering and alternative lifestyles.

How do we know this is a cultural battle and not an economic one? Because transit spending is far more fiscally fair than spending on roads and highways. Transit riders subsidize roads to a greater degree than drivers subsidize transit. And cities, which are the chief engines behind the American economy, rely on buses and trains to function. “The economic future for states hinges largely on the performance of their metropolitan economies,” determined a recent Brookings Institution study.

Tea Party leaders know all of this. But they also knew that defunding NPR wouldn’t help balance the budget, and they voted to do it anyway. They knew that by law no federal money can go toward abortion services, yet they voted to defund Planned Parenthood too. The Tea Party is superb at disguising cultural battles as the pursuit of responsible thrift. And mass transit exists at the vortex of many of their No. 1 ideological targets. It’s brilliant, when you think about it.

Defunding transit is how you smack down urbanites, environmentalists, and people of color, all in one fell swoop. It’s how you telegraph a disdain for all things European. It’s how you show solidarity with swing-state suburbanites who don’t understand why their taxes are going toward subways they don’t even use. And it’s how you subtly reassure your base that you’re not concerned about the very poor.

Republicans haven’t pretended to care about cities for decades. In January, none of the candidates showed up to the annual Conference of Mayors. (Two of them didn’t even RSVP.) And even just a month ago, you could argue, as this website did, that “today cities are more ignored than attacked” by Republicans. But the calculus just changed. The transportation bill sends an aggressive message: “Tea Party to Cities: Drop Dead.”

It doesn’t matter to the Tea Party that Ronald Reagan, in 1982, created the Mass Transit Account that Republicans now want to kill. Reagan was no friend to cities. But even he earned a respectable share of the vote in New York, Philadelphia and San Francisco. Things hadn’t yet gotten so personal.

That era is over. Over the past couple of decades, the GOP has found that bashing “elites” can translate into victory at the polls. And by “elites” they don’t mean folks with Chevy Tahoes and McMansions in the exurbs. They mean urbanites, no matter what their net worth. When they tar Nancy Pelosi as a San Francisco liberal, or Barack Obama as a Chicago politician, they’re not just referencing those cities’ stereotypes. They’re referencing the stereotypes of city culture itself: full of swindlers and gays and blacks and other suspect types. Calling Obama the “food stamp president” conjures up images of housing projects. Sarah Palin calling small-town folks “real America” states unequivocally that urbanites aren’t real Americans. The offensiveness of that statement still boggles the mind.

The Tea Party plan to decimate transit is no less explicit a statement. “House Republicans are, essentially, declaring war on cities in the federal transportation bill,” tweeted Naparstek. It’s not just that they know they can’t expect many votes from urban dwellers — that at least would be political calculus. It’s that they despise cities in general. They see “smart growth” principles as a U.N. plot, gun control as fascist, and funding for transit not just as wasteful, but un-American. Don’t like it? Get a car like the rest of us.

The House transportation bill will not become law, but that doesn’t make it benign. Like the debt ceiling battle, it could become a political bargaining chip, or reframe the national debate: Maybe cities are getting more than their fair share? Are we overspending on transit? Why should I help fund some faraway bus system? It plants these questions in voters’ minds.

This is why transit advocates are apoplectic, and why Transportation Secretary Ray LaHood (a former Republican congressman) called it “the worst transportation bill I’ve ever seen in 35 years of public service.” If conservatives have truly decided that transit is next on their culture war hit list, anyone who believes in the importance of cities had better start firing back right now.

Feb
22

M.I.A. and the Impossibility of Selling Out

 M.I.A. and the Impossibility of Selling OutAP Photo/Frank Micelotta/PictureGroupThe polarizing singer flirts with the mainstream from its brightest stageBy Hua Hsu on February 14, 2012

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A couple weeks ago, M.I.A. debuted the video for “Bad Girls,” a year-old song from a mixtape inspired by WikiLeaks, though the songs aren’t actually about WikiLeaks. The video is filled with images of stunt-driving, young Middle Easterners in caftans and kaffiyehs. Presumably it was bankrolled by her record label, Interscope Records, which is owned by Universal, which in turn accounts for between a quarter to a third of the global music market. It was directed by Romain Gavras, a strikingly talented Frenchman who can make scenes of faraway desperation look like the most beautiful, mysterious cologne advertisements ever. The video first aired on Noisey, an online music channel run by VICE, the media hegemon that has parlayed its fuck-not-giving ethos into partnerships with an impressive roster of multinationals. For some, “Bad Girls” will be further confirmation that ornate scarves, wind-carved deserts, and Arabic script are cool. For others, it will no doubt inspire a deeper investigation into globalism and globalization, feminism, the politics of oil, our influence in the Middle East, a career as a graduate student, etc. But for anyone invested in M.I.A., even on just a superficial level, it’s hard to reconcile the new video with where she ended her week: onstage at the Super Bowl halftime show.

She performed alongside Madonna, Nicki Minaj, and a cast of hundreds. Rarely has playing the Super Bowl seemed like a brazen, risky move, but there is no going back once you appear on network television’s highest-profile night, on a stage that’s been graced in recent years by a murderer’s row of people you weren’t sure were still alive. Is there a greater sign of having accepted one’s place in the mainstream? Her appearance, which was neither an invasion nor an occupation, neither radical nor chic, forces us to ask: Is it still possible to “sell out?”

A very “1990s” question, I know. Things no longer need to be qualified as “alternative,” since that word barely retains any of its original meanings. The logic of product placement and branding has become second nature, and artists today can make a living in a host of unprecedented ways only tangentially related to selling records. We’ve grown accustomed to how deeply entangled the interests of art and commerce have become — the way a sitcom can be meta and experimental while convincing you that you desperately want a McFlurry.

This kind of clever paradox has always been fundamental to the idea of M.I.A. The fact that she didn’t immediately fit into any ready-made categories lent her an air of opposition. She was a pop freedom fighter, uttering radical sayings and writing songs about pulling up the poor. But if you didn’t want to buy into any of that, you could point to all the ways in which she was a hypocrite or ill-informed or only half-committed. And because of it, she is the rare kind of pop star whose persona remains worth dissecting and debating — which counts for a lot nowadays.

As I watched M.I.A. at the Super Bowl, looking slightly awkward, I felt a sense of anticipation — or was it hope? Was she simply going to go through the motions? Was she going to look purposely stilted and bored, as though to lampoon this self-important event? Would she reach into the crowd and pull a scraggly 99 percenter onstage with her? There are those rare moments when you watch live television and you feel something is about to happen. You notice opportunities when things could go off-script — like when Mike Myers threw to Kanye West on the Katrina telethon, or any moment from a late-’90s Rage Against the Machine performance on MTV. At the end of her pro forma stint on a moribund new Madonna tune, M.I.A. looked in the camera and flipped the bird. Along the continuum of public controversies, a middle finger probably ranks somewhere between the S-word and the F-word, far below a cogent political statement or a bared breast.

The non-statement worked, though. The originating YouTube page for “Bad Girls” is now a global conversation on her middle finger and what she (or it) represents. The fierceness and snap-quickness of these judgments are a sign of the times, and everyone is basically right: She’s subversive and she’s not, she’s original and she’s a thief, she’s sold out and yet success has only made her more unpredictable. One imagines that somebody saw her on the Super Bowl, went online to follow the fuss, and saw an astounding video of women in burkas dancing, see-through cars cutting through the night, and M.I.A. filing her nails atop a skiing BMW. They didn’t care who paid for it, when the album was dropping, who “Madonna” was, or what a truffle fry tasted like. They just watched and felt amazement that this was happening somewhere else in the world.

To return to this question of “selling out” is to remember the days when the pop marketplace seemed to pose more ethical questions than at present. I’m not sure I believed that Kurt Cobain, as the T-shirt he wore to a Rolling Stone cover shoot claimed, truly felt that corporate magazines “sucked,” or that EPMD wouldn’t have allowed their “hardcore funk” to cross over had they been given the right opportunity. But up until the late 1990s, not “selling out” was still a gesture worth making, even if it was ultimately a naive one. Part of this was because it was once more or less unimaginable that unusual music, movies, or television might one day “win.” Fear of the crossover was more tangible when it seemed inconceivable that corporations could actually underwrite “creativity” or that interesting, independent artists might be asked to endorse all sorts of devices and beverages.

This isn’t to say that we’ve surrendered the conversation about integrity, or to suggest that people aren’t still fighting the same fights against artistic compromise. Or something like that. On Sunday, Justin Vernon of Bon Iver was awarded the Grammy for Best New Artist, the inevitable outcome after the fiercely indie singer/songwriter had reverse-jinxed himself by dissing the awards months prior. At the time, Vernon spoke fatalistically about his own integrity, as though it was a heavy burden to bear, describing himself as someone who preferred “glory” over the spoils of victory (awards, getting laid, etc.), even if it meant a career spent toiling in obscurity. The unkempt beard, the utilitarian clothes, those naked songs: This was a man uninterested in “selling out,” a man whose faith in friends and fans close-reading his lyrics by moonlight and the D.I.Y. economy was strong.

There was a reluctant, embarrassed air to Vernon as he approached the Grammy podium to accept his reward. He seemed as though he had given his acceptance speech some serious thought, but had wanted to stop short of seeming “prepared.” “There’s so much talent out here,” he remarked, “and there’s a lot of talent that’s not here tonight. It’s also hard to accept because, you know, when I started to make songs I did it for the inherent reward of making songs, so I’m a little bit uncomfortable up here.” Is the “inherent reward” what is compromised when someone tries to make something that is marketable? Can one be corrupted after the fact, if an “inherently rewarding” moment of songwriting manages to go pop?

What was so striking about Vernon’s nervous self-effacement was how deeply self-conscious this made him appear — this, on a night in which Dave Grohl waxed poetic about recording the latest Foo Fighters opus in his “garage” and a Beach Boy felt it necessary to wear a cap that read “Beach Boys.” Vernon’s anxiety seemed quaint, almost pure in its seeming belief that the world could be so simple. But the question of selling out always requires there to be an aggrieved party, someone to whom you are accountable. For Vernon, the only person he was disappointing was the version of himself who thought it impossible that the Grammys might one day recognize him.

Maybe the rise of “alternative” culture solved the question of “selling out,” or maybe the concern just shifted elsewhere. Nowadays, it seems like the question has become what these maneuvers might allow you to do. We’re clearly still hung up on authenticity, still disappointed when someone proves to be a hypocrite or more complex than we might expect. This is why we can snicker at Lady Gaga’s yearbook photos or chuckle at the pure transparency of Coldplay and Drake. You might not believe that M.I.A. knows what she’s talking about, but her artistic vision — those arch, voracious songs, the bootleg fabrics — delivers us somewhere else. This is what makes M.I.A.’s protest-in-the-name-of-what-exactly? so riveting, “important,” and almost prophetic. She flatters our desire for authenticity, for a real spokesperson who apprehends the full circumference of the planet, and then she goes and makes a bright, gaudy T-shirt of it all. If she has sold out — if she represented anything in the first place — then she’s shown us exactly what our dollar can buy: an absolutely stunning video starring some of the Middle East’s finest stunt drivers.

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hsu hua m M.I.A. and the Impossibility of Selling Out

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